Thomas Hauer
Today man is constantly exposed to attacks of two dominant forces of the contemporary world, which organize and structure its logistic of perception: speed and technical images. Paul Virilio, the “high priest of speed” deals with the impact of speed on the contemporary world in his texts. Virilio’s theory shows the far-reaching extent to which the speed conquered all and everything over the centuries: transportation and production, peace and war, men and women, urban and rural areas, work and leisure time, arts and commerce. Virilio clearly shows us how the principle of acceleration of the word has taken root in professional and private lives of individuals and societies in both good and bad sense, and how it has changed and continues changing our standards, values, perceptions and mentality. Vilem Flusser speaks of “technical images” in general. Technical images furnish the space of our everydayness in a similar way as an architect furnishes a room with new furniture. Technical images work by supplying a reality where it is needed. Technical image is an abstraction of the third order. The technical image is an image produced by apparatuses. Our new arrangement of the world, new after the end of the age of linear writing, depends on two things – on apparatuses and on their programmes.
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